‘In possession of a powerful mezzo voice and an arresting stage presence’ (Plays to See)
Chloe trained with Kathryn Harries (former Director of the National Opera studio) and Anita Morrison. She was an Oxford Lieder Mastercourse Young Artist (2021), a Making Music Selected Artist (2019-20), a finalist in the London Song Festival British Art Song Competition (2019), and a member of Pembroke Lieder Scheme (2019-20), all with her pianist duet partner Adam McDonagh.
Her concert performances include Tippett A Child of Our Time (Cranleigh School – Merriman Concert Orchestra), Rossini Petite Messe Solennelle (Ely Choral Society), Wagner’s Wesendonck Lieder (Cambridge University Symphony Orchestra), Mahler’s Kindertotenlieder and Der Abschied (The Cambridge Mahler Orchestra), Elgar’s Sea Pictures (Cambridge Graduate Orchestra), and Lili Boulanger’s Du fond de l’abîme (Minerva Festival).
On stage, she has sung Eugenie Schumann for Green Opera’s ‘Fillu’ (JAM on the Marsh Festival), the title roles in La Cenerentola and Carmen (Cambridge University Opera Society), La Zia Principessa/Suor Angelica, Ottavia/L’incoronazione di Poppea, Maurya/Riders to the Sea, The Grand Duchess/A Dinner Engagement and Testo/Il Combattimento di Tancredi e Clorinda. Most recently she has sung two roles in shows that she herself devised for her company Marginalia Performance: Hansel/Hansel and Gretel (JAM on the Marsh and Folkstone’s Living Advent Calendar) and Romeo/A rose by another name: Juliet and Romeo. Both shows were proudly designed and performed for children and young people.
Chloe sings regularly for weddings and private events and is available as a recitalist. Contact her here to discuss your needs.
